01

Start with the artwork

The project combined OSRAM’s lighting technology, colour research by the University of Pannonia, energy research by IREC and lighting design by FABERtechnica. Vatican technical services and museum specialists took part in the design, testing and installation.

The team studied pigment response, tuned the lighting spectrum and designed compact fittings for the chapel’s cornices. More than 7,000 LEDs formed a system intended to illuminate the surfaces evenly while keeping the apparatus discreet.

02

Make the technical success disappear

Our reading: the strongest experience here is the artwork itself. The technology earns its place by making colour and detail legible without competing for attention. That requires designers, conservators and engineers to work on the same problem from the beginning.

The Vatican location is the context of the case, not a claim that every contribution was developed there. The lighting project is also distinct from the separate climate-control installation introduced during the same period.

Sources (3)
  1. Vatican Museums · 2014 conservation and lighting project guide
  2. OSRAM · Completed installation, October 2014
  3. FABERtechnica · Project, contributors and photographs
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